Build a Bear Party! from Michael Warf.

Here’s a small glimpse of some of the photos taken for Management Matters. If you are interested, more frames are available at www.lethbridge-photographer.com for you to get a sneak peek at before the magazine goes to print.

The idea started innocently enough as a group of fellow photographers began discussing a photo shoot done for a European triathalon team. What would it take to do something similar in Southern Alberta? Has anyone shot under water before? How do you light it? What are the challenges?

Then a few of us turned the idea into reality. Through luck, networking, and a bit of old fashioned elbow grease – we’ve received permission to use the diving windows this Sunday to coordinate what I belive will be Lethbridge’s largest photographer collaboration of the year. One of the photographers shoots fashion, and was able to have a local designer create two unique peices just for this event. My old business partner has his SCUBA certification, so we will be able to work at longer intervals.

The local paper is ready to cover it, I’m itching to post some of the early frames right from the shoot location. Now if only we could convince a recent bride to trash the dress in the pool!

Stay tuned, big things are coming, look for sample frames early next week.

Ian & Amber, our couple for the day were certianly easy to work with, what a great looking couple! My job was to hang back and capture candids with the long lens (wedding paparazzi) which was a ton of fun. I started the day at St. Pat’s for the ceremony (beautiful setting, lots of stained glass and pale contrasting tones) and then off to Henderson Lake and the Galt Museum for wedding party photos.

This was the first wedding of 2009 for me, and was a great warmup for some of the solo couples I’ve booked through the year. Ian & Amber are off to Thailand for their honeymoon, for a well deserved break.

I hope to work with Tanya again in this capacity, it really was low stress, high quality results.

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These two are naturals in front of the lens, needing very little direction to get some great material to show their parents overseas. Sugwon mentioned that they didn’t have photos previously, so I’m excited that this level of photography will be well received as they send electronic versions away via email, and commission a large print or two for themselves.

Here’s a few frames from our session at Lethbridge’s “Sugar Bowl” tunnel and walkway.

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There is a growing movement with photographers everywhere to learn more about light, forget about all the gear, take that light source off the camera and use your brain to create better light in all photographs. Forgetting common fears around lighting or mixing flash with ambient light is the goal of the “Strobist” movement, coined by blogger and photojournalist – David Hobby.

I’ve been shooting with a loose collective of photographers in Calgary, who’ve organized themselves on Flickr (a social photography community). Lately I’ve been dreaming of bigger things for the Alberta strobist shooters, a group that seeks to create strobist communities beyond Calgary – one that fosters local meetups everywhere and comes together for large scale shoots in major centres.

This weekend was the launch of Alberta Strobist, a new Flickr community dedicated to off-camera lighting with small speedlights and studio light. Our first event is April 29th at Shutterbug, a local photography studio and is limited to 15 people. Participants will go through the basic course assembled by Hobby’s strobist.com called “lighting 101″, and we will follow it up with a larger group of more experienced shooters for “lighting 102″, and then on to a larger, collaborative shoot.

If you are attending “lighting 101″ expect to bring your gear and do some shooting yourself. Holding an event like this in a working studio provides us great access to models, gear and other photographers – so use the time to its best advantage. I will be speaking among others, and shoot tethered with my Nikon gear onto a projection for all to see. This is a class heavy on “doing” vs. “talking”, so if you learn visually – this is the class for you.

Cost to attend is $5, which covers refreshments and materials. I hope to update you further on the success of Alberta Strobist in the coming weeks.

If you’ve not visited Hotel Arts or any of its dining options I urge you to do so next trip in. The amount of fine detail and displayed work is phenomenal, and one must remind themselves that they are not in a gallery – but a commercial hotel. The creative energy in the hotel helped to fuel some of my best frames to date.

A giant thank you to my other shooters Tanya Plonka and Eric Au for such a seamless shoot. Assistants Melissa Belter and Torin Segstro were indispensible, and often running back to the suite for forgotten gear, or light change ups. Makeup Artist Kada Issa did such a phenomenal job on the bodypaint that I had no reservations posing model Cayley Turnbull topless in public (no one even blinked – camoflage at its finest).

Dallen Flexhaug, Guest Services Manager and Fraser Abbott, Director of Sales & Marketing were instrumental in securing the location, as well as ensuring our shoot ran seamlessly, thank you so much!

After our shoot, we ate in Calgary and discussed the next opportunity. I think there was mention of exotic cars in High River…stay tuned.

M.

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I was somewhat cynical about Photoshopworld as a conference to attend this year. I’ve been certified for years as an ACE (Adobe Certified Expert) and ATCP (Adobe Certified Training Provider) in both Adobe Photoshop and InDesign – so I thought it would be nothing but a huge review session.

Boy was I wrong.

The first thing that struck me was the “play book” attendees receive upon registration. Each instructor (the “who’s who” of photography and photo editing) had outlined every session with notes and screenshots – meaning I could relax and enjoy the sessions, or read the notes from conflicting sessions. I would encourage every conference to follow suit.

There’s so many new features in the new version of Photoshop that even seasoned vetrans need time to reorient, or modify their workflow. I took in a ton of new subtle retouching techniques, to make sure your photos look like you – only the best representation of you! There are so many fake, pancake-faced wedding photos you can look at before wanting something a little more subtle. Only you should know a retoucher has worked their magic on your frames.

I had booked sessions with a few models to shoot in my off hours. I collaborated with the lovely and talented Tanya Plonka on some great shoots – it was fantastic having someone who can shoot alongside you and have completley original frames after the shoot. Tanya also took pity on me one night and modeled herself, thanks girl! Some local photographers are growing sick of my mantra of collaboration, but the quality really shows when you work together, proof is in the final frames.

I’m off to at least one more conference session this year in June, Don Gianatti is coming to Montana for his lighting-essentials.com workshops. I’m getting darn good at nailing studio lighting on location, but I think a few days spent with Don will bring my skills from good to great.

I leave you with a few frames from the evening shoots:

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A solid 20 year career was evident in the performance given by both Treach, and Vin Rock – currently touring to support thier new album.

A Quick Video Slideshow

Despite the success of his (now international) OneLight Workshops, and OneLight DVD tutorial for photographers – one quality brings Zack above the crowd. He has never forgotten his roots as an artist, his love for his family, or his passion for his craft.

Zack is a guest blogger on Scott Kelby’s blog today. I can identify a ton with Zack’s personal stuggle as an artist, and his cycle with self-doubt and need for peer acceptance.

I urge everyone, photographer or not – to take 10 minutes aside and listen to Zack’s perspective, it’ll ground you and hopefully impart some insight and perspective.